This ring centres on a Roman intaglio in carnelian, carved in the 1st–2nd century CE, when glyptic art flourished in Rome. In the seal impression Minerva appears facing left, holding Victory in one hand and a spear in the other, her shield resting at her feet. The composition is concise yet rich in symbolism: Victory signals success achieved through foresight, while the spear and shield refer to Minerva’s role as the protector of strategic intelligence rather than brute force.
Intaglios of this kind functioned as personal signatures. Pressed into wax to seal correspondence and agreements, they revealed the ideals their owners wished to project. Minerva, associated with clear thought, skilled workmanship, and composed judgement, was a trusted presence for those whose authority rested as much on intellect as on action.
Set in 18k rose gold, the Maison’s design follows the oval of the ancient gem, respecting a form conceived almost two thousand years ago. Opposite the intaglio, a polished gold imprint creates its counterpoint: the precision and depth of the carving become visible in gold. The proportions echo the intimacy of Roman signet rings, where the engraved stone sat close to the hand and accompanied its wearer through daily deliberations, leaving traces of identity in wax, clay and memory.